double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs double-skinned crabs vietnamese seafood double-skinned crabs mud crab exporter double-skinned crabs double-skinned crabs crabs crab exporter soft shell crab crab meat crab roe mud crab sea crab vietnamese crabs seafood food vietnamese sea food double-skinned crab double-skinned crab soft-shell crabs meat crabs roe crabs
Sara Stewart

Sara Stewart

Movies

‘White Girl’ may annoy you

White girl gets involved with brown people, nearly ruins her life.

And theirs, of course, but that isn’t our primary point of view in this good-looking but tonally dubious feature debut from Elizabeth Wood. Morgan Saylor (“Homeland”) is Leah, a New York college student interning at a magazine and slumming it in her off hours with Blue (Brian ‘Sene’ Marc), the hot drug dealer on her Ridgewood, Queens, corner. When he’s busted, she starts selling his drugs (and, eventually, herself) to help him — when she’s not Hoovering them up.

Wood’s deliberately repellent narrative occasionally puts a perfect point on white privilege: “I know I can figure out the money,” Leah chirps to a reptile-eyed lawyer (Chris Noth) and, later, to her predatory boss (Justin Bartha). But the film’s endless scenes of debauchery and exploitation don’t really yield much of a take-away, other than, “Don’t be an a - - hole.”